Monika TREUT surprised German as well as international cinema with her provocative and bold sensual production Seduction: The Cruel Woman (1985), co-directed by Elfi MIKESCH. Inspired by Sacher-Masoch’s Venus in Furs, the film portrays the relationship between power and sexuality. Virgin Machine is TREUT’s first and most renowned feature-length film after Seduction: The Cruel Woman. Similar to her prior film, this black-and-white film demonstrates TREUT’s characteristic cinematic style, with exaggerated angles and caricatures while chronicling Dorothee’s, an aspiring journalist, journey for love. Tired of her boring relationship with Heinz, Dorothee craves romantic love. Why do women dream of romantic love? Dorothee researches evolutionary biological theory but is not satisfied and so sets off to San Francisco for the answer. There she meets the Hungarian bohemian Dominique, the sex expert and dildo collector Susie Sexpert, and Ramona, a drag king performer at a lesbian bar, and has an adventure of self-discovery and enjoyment. The film shows a young German woman traveling to the U.S. to illustrate diverse sexual identities, relationships, and practices. This narrative, which searches for true desire amidst cultural exchange, stands out among all of TREUT’s films. Interestingly, Dorothee breaks her fantasies and illusions about love through her experiences in diverse sexual fantasies. Rather than calling this a failure, she is closer to the start of another adventure. [CHO HyeYoung]
|036||Megabox Sinchon COMFORT 4||2018-06-02 17:00|
|169||Megabox Sinchon 5||2018-06-07 17:30|
Monika TREUTMonika TREUT
Born in Mönchengladbach, Germany in 1954, Monika TREUT completed a PhD in literature at Marburg in 1982. She began working with video in 1976 and founded Hyena Films with ElfiMikesch in 1984. She has directed many award-winning films about feminism, gender, sexuality and human rights in countries including the USA, Brazil and Taiwan. After her 1991 comedy My Father Is Coming, she made a series of documentaries including The Raw and the Cooked which screened in the Culinary Cinema in 2012; Zona Norte screened in the Panorama in 2016. In 2017 she received a Teddy Award for her lifetime achievement.