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ARCHIVE

2nd(1999)



Husband

Cho Mun-Jin

  • Korea
  • 1969
  • 80min
  • 35mm
  • color

SYNOPSIS

If the melodramatic male fantasy consists of a woman heading toward death when she cannot sublimate her desire, the question becomes, ¡°How do you portray this fantasy?¡± This film explores that question through the form of romantic comedy. College professor, Jae-Hoon takes off to Jinhae with his wife¡¯s friend Yeo-Ok after being asked by Yeo-Ok. To save her husband who is incarcerated in a police station located in Jinhae. The local festival makes it difficult for the two to find accommodations, but they finally manage to find a place where Yeo-Ok sleeps while Jae-Hoon takes the storage room despite the inconvenience. Jae-Hoon struggles to surpress his desires for the attractive Yeo-Ok, and he almost succeeds with the help of his intellectualized belief in monogamy until a student entices him into indiscretion. This film is more or less an educational piece that becomes a prelude to the state-governed family policy of the 70s, but the film still provide, interesting points about unrevealed male fantasies. Jae-Hoon¡¯s fantasy becomes a comic representation of the modern patriarch who transforms Yeo-Ok from a lady to a temptress. (Nam In-Young)

PROGRAM NOTE

If the melodramatic male fantasy consists of a woman heading toward death when she cannot sublimate her desire, the question becomes, ¡°How do you portray this fantasy?¡± This film explores that question through the form of romantic comedy. College professor, Jae-Hoon takes off to Jinhae with his wife¡¯s friend Yeo-Ok after being asked by Yeo-Ok. To save her husband who is incarcerated in a police station located in Jinhae. The local festival makes it difficult for the two to find accommodations, but they finally manage to find a place where Yeo-Ok sleeps while Jae-Hoon takes the storage room despite the inconvenience. Jae-Hoon struggles to surpress his desires for the attractive Yeo-Ok, and he almost succeeds with the help of his intellectualized belief in monogamy until a student entices him into indiscretion. This film is more or less an educational piece that becomes a prelude to the state-governed family policy of the 70s, but the film still provide, interesting points about unrevealed male fantasies. Jae-Hoon¡¯s fantasy becomes a comic representation of the modern patriarch who transforms Yeo-Ok from a lady to a temptress. (Nam In-Young)

Director

  • Cho Mun-JinCho Mun-Jin

    Born in Manchuria in 1935, Cho Mun-Jin made his debut with The Embrace in 1969. He directed more than 40 films including Always a Stranger(1969), Two sons(1971), and The Window(1978). He was a chairman at Directors¡¯ Guild of Korea in 1987. He won the Grand Bell Award for his screenplays.

Credit

  • Cast Kim Jin-Kyu ±èÁø±Ô, Ko Eun-Ah °íÀº¾Æ, Kang Bu-Ja ?
  • Screenwriter Cho Mun-Jin Á¶¹®Áø
  • Cinematography Hong Dong-Hyeok È«µ¿Çõ
  • Art director Cho Kyeong-Hwan Á¶°æȯ
  • Editor Lee Kyeong-Ja ÀÌ°æÀÚ
  • Music Jeon Jeong-Keun ÀüÁ¤±Ù
  • Sound Han Yang ÇѾç