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ARCHIVE

2nd(1999)



The Woman in the Wall2

Park Jong-Ho

  • Korea
  • 1970
  • 100min
  • 35mm
  • color

SYNOPSIS

After years of boredom and neglect, Mi-Ji, the young wife of a middle-aged workaholic doctor, resumes her career as an artist which had ended with marriage. Art revives Mi-Ji, stirring longings in her for romance and freedom, which in turn, stirs conflict in her marriage. The couple separates, and Mi-Ji runs back into the arms of an old flame.
 On the day of her solo art exhibition opening, a question thrown in her direction, ¡°Is a doctor¡¯s wife lonelier than an artist¡¯s husband?¡± juxtaposes the themes of the film with those of Ibsen¡¯s play, The Dolls House, which showed the state of a woman unable to balance home and work. In both cases, the security offered by domesticity forces the woman to refrain from expressing her desires. There is no place for Mi-Ji who forgets her curfew as she dances to the beat of ¡°Born to be Wild¡± – only a wall awaiting her paintings of un-sublimated desires. However, the film provides interesting situations that balance out this conventionalism as in the last scene in which Mi-Ji fantasizes her death after returning to her husband as a gesture of gratitude for saving her lover. (Nam In-Young)
 

PROGRAM NOTE

After years of boredom and neglect, Mi-Ji, the young wife of a middle-aged workaholic doctor, resumes her career as an artist which had ended with marriage. Art revives Mi-Ji, stirring longings in her for romance and freedom, which in turn, stirs conflict in her marriage. The couple separates, and Mi-Ji runs back into the arms of an old flame.
 On the day of her solo art exhibition opening, a question thrown in her direction, ¡°Is a doctor¡¯s wife lonelier than an artist¡¯s husband?¡± juxtaposes the themes of the film with those of Ibsen¡¯s play, The Dolls House, which showed the state of a woman unable to balance home and work. In both cases, the security offered by domesticity forces the woman to refrain from expressing her desires. There is no place for Mi-Ji who forgets her curfew as she dances to the beat of ¡°Born to be Wild¡± – only a wall awaiting her paintings of un-sublimated desires. However, the film provides interesting situations that balance out this conventionalism as in the last scene in which Mi-Ji fantasizes her death after returning to her husband as a gesture of gratitude for saving her lover. (Nam In-Young)
 

Director

  • Park Jong-HoPark Jong-Ho

    Born in Wonsan in 1927, Park Jong-Ho has directed more than 40 films including Bachelor¡¯s Bar(1964) and The Woman in the Wall(1969), with The Woman in the Wall and The Woman in the Wall 2 receiving strong commercial acclaim. Rainy Day-3PM is Park¡¯s directorial debut film.

Credit

  • Cast Moon Hee ¹® Èñ, Nam Gung Won ³²±Ã ¿ø, Shin Young-K
  • Cinematography Lim Jin Hwan ÀÓÁøȯ
  • Editor Jang Hyeon-Su ÀåÇö¼ö
  • Music Hwang Mun-Pyeong Ȳ¹®Æò