|Opening Film (1)||New Currents (36)|
|Deep Focus : Feminist Experimental Film/Video (25)||Korean Cinema Retrospective : Femme Fatale of a Thousand Faces, Do Kum-bong (4)|
|Asian Cinema: Filipina Cinema Panorama (9)||Focus on Léa Pool (6)|
|Feminist Film and Video Activism (15)||Asian Short Film & Video Competition (18)|
|Documentary Ock Rang Award (2)||Special Screening (1)|
캐슬린 한나가 결성한 밴드 줄리 루인의 뮤직비디오로 미국 음반산업의 냉소적인 마케터들에 대한 비판을 담고 있다. 베닝과 한나는 특히 여성을 대상으로 한 광고 캠페인인 ‘걸파워 마케팅’을 집중적으로 공격한다.
Sadie BenningSadie Benning
Born in 1973 in Wisconsin. Sadie Benning is a lesbian video artist who has created provocative work since she was 15 years old using a Pixelvision toy camera. Many of her video pieces are coming of age stories about her own experiences and longings as a young lesbian teenager. Evoking in turn playful seduction and painful honesty, Benning’s floating, close-up camera functions as her intimate revelations and definition of evocative experimental form. Her filmography includes Me & Rubyfruit (1989), Living Inside (1989), Jollies (1990), A Place Called Lovely (1991), It Wasn’t Love (1992), German Song (1995) and For Baby (2000).