서울국제여성영화제

The Hour of Liberation Has Arrived

Heiny SROUR

United Kingdom, Lebanon, France | 1974 | Korean Premiere | 67 | DCP | color

Maybe I’m Unlucky Because I Cut My Nails At Night

Maria Estela PAISO

Philippines | 2022 | 5 | DCP | color

Vever(for Barbara)

Deborah STRATMAN

Guatemala | 2019 | 12 | DCP | color

Cameraperson

Kirsten JOHNSON

United States | 2016 | 103 | DCP | color

Invisible Labor

Joanne CESARIO

Philippines | 2023 | 21 | DCP | color, b&w

This Isn't What It Appears

CHOI Heehyun

United States, South Korea | 2022 | 20 | DCP | color

The Silent Majority Speaks

Bani KHOSHNOUDI

Iran, Netherlands | 2010 | Asian Premiere | 95 | DCP | color, b&w

One Day Pina Asked...

Chantal AKERMAN

France | 1983 | Asian Premiere | 57 | DCP | color

The Age of Beasts

JEONG Jae-eun

South Korea | 2021 | 49 | color, b&w

Self-Portrait Along the Borderline

Anna DZIAPSHIPA

Georgia | 2023 | Asian Premiere | 51 | DCP | color, b&w

Dominion

Bea MARIANO

Philippines | 2023 | 8 | DCP | color, b&w

A Herstory of Women Filmmakers

Kelly GALLAGHER

United States | 2009 | Korean Premiere | 16 | DCP | color

"The Red Filter is Withdrawn"

KIM Minjung

South Korea | 2020 | 12 | DCP | color, b&w

How I Like It

Nida MEHBOOB

Pakistan | 2021 | 19 | DCP | color

Nameless Syndrome

CHA Jeamin

South Korea | 2022 | 24 | DCP | color

Trouble

Miranda PENNELL

United Kingdom | 2023 | Asian Premiere | 34 | DCP | color, b&w